{"id":2506,"date":"2026-06-19T07:37:47","date_gmt":"2026-06-19T07:37:47","guid":{"rendered":"https:\/\/nextcitydigest.com\/?p=2506"},"modified":"2026-06-19T07:37:47","modified_gmt":"2026-06-19T07:37:47","slug":"what-to-watch-young-lust-and-danger-fuel-leviticus","status":"publish","type":"post","link":"https:\/\/nextcitydigest.com\/?p=2506","title":{"rendered":"What to watch: Young lust, and danger, fuel &#8216;Leviticus&#8217;"},"content":{"rendered":"<div>\n<div>\n<p>What\u2019s it gonna be? A scary\/sexy horror movie that deserves to follow in the lucrative footsteps of \u201cObsession?\u201d A gruesome take on the Robin Hood fable?<\/p>\n<p>Read more <a href=\"https:\/\/nextcitydigest.com\/?p=2504\">Landmark Oakland office tower is foreclosed as market weakness widens<\/a><\/p>\n<p>You\u2019ll find both in theaters this week.<\/p>\n<p>Here\u2019s our roundup.<\/p>\n<p><strong>\u201cLeviticus\u201d:<\/strong> The horror film renaissance shows zero signs of abating and director\/writer Adrian Chiarella\u2019s scary and sexy debut, a breakout hit at this year\u2019s Sundance Film Festival, is doing its part. Chiarella has come up with an ingenious premise that is as twisted as it is thought-provoking. It burrows into the ultimate nightmare for anyone LGBTQ+: That the object of their same-sex desire doubles down in the form of a relentless doppelganger that\u2019s intent on doing them irreparable harm. That\u2019s what teen Naim (Joe Bird), a newbie in small-town Australia, smacks into after he meets, fools around with and falls for the athletic Ryan (Stacy Clausen), a guy wrestling with his own sexuality as well with the libidos of other closeted guys in town. Bird\u2019s and Clausen\u2019s chemistry is off the charts, but it\u2019s when Naim\u2019s jealousy gets the best of him that \u201cLeviticus\u201d sets into motion an evil force. Naim and his overly anxious single mom (Mia Wasikowska) attend rote church services in which the pastor looks to exorcise the LGBTQ+ from sinful boys who like boys and girls who like girls. Chiarella\u2019s film doesn\u2019t stint on the scares, the gore or the social commentary but the violence works twofold \u2014 it reveals the self-hate that gay teens are made to feel as well as the homophobic forces that the queer community stares down every day. \u201cLeviticus\u201d isn\u2019t a polemic, nor does it pound its parable fists too often, but it has plenty to say about homophobia within the constraints of the horror genre. It\u2019s also successful as a sizzling romance about two ill-fated young lovers staring down the fears that want to bind them. It\u2019s one hell of a debut for Chiarella and a calling card for his two lead actors. Props, too, to director of photography Tyson Perkins for cloaking it with moody shadows that fosters its creepy feel. <strong>Details:<\/strong> 3\u00bd stars out of 4; opens in theaters June 19.<\/p>\n<p><span><iframe allowfullscreen=\"true\" class=\"youtube-player\" height=\"360\" loading=\"lazy\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\" src=\"https:\/\/www.youtube.com\/embed\/WXuK0vlFxII?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" style=\"border:0;\" width=\"640\"><\/iframe><\/span><\/p>\n<p><strong>\u201cThe Death of Robin Hood\u201d: <\/strong>Movie theaters have traditionally offered refuge from a sweltering summer heat wave, but those seeking such refuge at this film, figuring the titular iconic folk hero is a safe bet, should know that director Michael Sarnoski is serving up a revisionist take on Mr. Hood. Only those with a strong tolerance for graphic violence should dare to enter. \u201cThe Death of Robin Hood\u201d simulates the miserable, teeth-chattering bitter coldness of medieval England so well, it might even give you a case of frostbite. And it is in such details \u2014 the exacting production design, the facile editing, the earthy costumes and, best of all, Pat Scola\u2019s cinematography, which makes you all but taste the grit for two hours \u2014 where Sarnoski\u2019s brutal tear-down of an ageless mythical hero emerges as astonishing achievement. Ditto Hugh Jackman\u2019s unerring performance \u2014 perhaps his finest dramatic work yet \u2014 as a savage, unfeeling thug and unrepentant murderer and thief. But the film itself is an impenetrable iceberg, one that leaves you cold and indifferent while it dismantles the poster boy for rebellion and replaces him with a killer staring into the empty maw of his dying soul. Some will take umbrage about tinkering about with the Robin Hood mythos like that. So be it. But the biggest beef to be had is in Sarnoski\u2019s insistence to bludgeon us with pulverizing violence, which grows tiresome and repetitive in the carnage-spewing initial 30 minutes. The director of \u201cPig\u201d and \u201cA Quiet Place: Day One\u201d goes overboard as he de-romanticizes everything about Robin Hood, with Jackman never once faltering in conveying through resigned, hollow eyes a man who is damned. True to the film\u2019s title, the blood-drenching goaded on by Little John (Bill Skarsg\u00e5rd) brings a very wounded Robin to a hillside priory where his spiritual and physical wounds get tended to by Sister Brigid (Jodie Comer). He also has meaningful if curious encounters with a leper (Murray Bartlett), a traumatized girl (Faith Delaney) and a wounded young man (Noah Jupe) from his past. Those interactions mark an intentional metaphysical counterweight to the film\u2019s start, and while \u201cThe Death of Robin Hood\u2019s\u201d ultimate message is worth chewing on, there is no denying that film\u2019s bleakness keeps us at bay, and emotionally unmoved. <strong>Details:<\/strong> 2\u00bd stars; opens June 19 in theaters.<\/p>\n<p>Read more <a href=\"https:\/\/nextcitydigest.com\/?p=2502\">Valkyries\u2019 star forward signs with Unrivaled<\/a><\/p>\n<p><span><iframe allowfullscreen=\"true\" class=\"youtube-player\" height=\"360\" loading=\"lazy\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\" src=\"https:\/\/www.youtube.com\/embed\/tlSDDuWxO_0?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" style=\"border:0;\" width=\"640\"><\/iframe><\/span><\/p>\n<p><strong>\u201cGirls Like Girls\u201d:<\/strong> There\u2019s much to appreciate about Hayley Kiyoko\u2019s heartfelt directorial debut. A major plus is how the singer\/author\/director throws us back to the anguish and passion of our first love. Based on Kiyoko\u2019s song and her own YA novel, \u201cGirls Like Girls\u201d is a simple tale of how Oregon teens Coley (Maya da Costa) and Sonya (Myra Molloy) over the course of one early 2000s summer start to realize that, yup, they\u2019re attracted to each other in an inseparable way. Kiyoko captures the longing and the agony that someone who\u2019s smitten experiences \u2014 the nervously checking and waiting for an email response from their crush to validate how they\u2019re feeling. She\u2019s also adept at illustrating just how overwhelming heartbreak can be when you\u2019re a teen. It\u2019s the end of the world as we know it. Her leads have instant chemistry too, with da Costa tapping into the \u201csad eyes\u201d of an introvert coping with a new town and the abrupt re-emergence of her father (Zach Braff) in her life. (The father-daughter dynamic is one of the film\u2019s strongest assets, but doesn\u2019t get plumbed as much as it should.) Coley\u2019s trajectory does trod familiar YA ground, whereas Sonya\u2019s less-developed storyline begs for further exploration since her issues \u2014 excessive drinking, a boyfriend (Levon Hawke), the pressure to be the best in dance competitions \u2014 set you up to want and expect more. We also hear, in cursory dialogue only, that Sonya\u2019s mother might disapprove of this relationship, yet this is relegated to the background, which further softens the tension. \u201cGirls Like Girls\u201d gives us a sweet story about two girls in love, but it could have been even more effective if it just dug a little deeper. <strong>Details:<\/strong> 2\u00bd stars; opens June 19 in theaters.<\/p>\n<div>\n<\/div>\n<p><span><iframe allowfullscreen=\"true\" class=\"youtube-player\" height=\"360\" loading=\"lazy\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\" src=\"https:\/\/www.youtube.com\/embed\/ZC1kEknG2ro?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" style=\"border:0;\" width=\"640\"><\/iframe><\/span><\/p>\n<p><strong>\u201cUnidentifed\u201d:<\/strong> The discovery of a young woman\u2019s bludgeoned corpse in the desert outside of Saudi Arabia\u2019s capital city of Riyadh propels 29-year-old true-crime podcast fan Noelle Al Saffan (Mila Al Zahrani) into action as she conducts her undercover Nancy Drew-like investigation. Her bold overtures don\u2019t go down so well with those around her in Haifaa al-Mansour\u2019s tricky mystery that circles some of the issues she raised in what is her \u201cSaudi trilogy\u201d \u2014 in particular the restrictive traditions enforced on women in the Middle East. \u201cUnidentified\u201d is, and yet isn\u2019t, a departure from the Saudi Arabian trailblazer\u2019s earlier works, the exceptional \u201cWadjda\u201d and \u201cThe Perfect Candidate.\u201d That\u2019s because Noelle\u2019s a different type of protagonist, portrayed confidently by Al Zahrani,\u00a0 a woman contending with her own loss while trying to gain a more prominent job than being the scanner of a police documents. The list of suspects swell, as in an Agatha Christie novel, as Noelle\u2019s unorthodox snooping about leads to surprise twists. One of its most inspired aspects is the presence of a true-crime\/makeup tip podcaster Noelle is obsessed with. The clash between the two dynamics \u2014 one extolling beauty, the other detailing gruesome crimes \u2014 makes for an oil-vinegar mix that speaks to the tug of war women experience between using the beauty versus their brains. Why is it such a prominent part of the film? You\u2019ll find out at the end. And while \u201cUnidentified\u201d doesn\u2019t carry as much thematic weight as the previous two films in al-Mansour\u2019s trilogy, it does know how to jolt you out of your seat when it counts. <strong>Details:<\/strong> 3 stars; opens June 19 in select theaters.<\/p>\n<p>Read more <a href=\"https:\/\/nextcitydigest.com\/?p=2500\">Christian Pulisic trains separately for 4th straight day and could miss next US World Cup game<\/a><\/p>\n<p><em>\u2014 Contact Randy Myers at soitsrandy@gmail.com.<\/em><\/p>\n<p><span><iframe allowfullscreen=\"true\" class=\"youtube-player\" height=\"360\" loading=\"lazy\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\" src=\"https:\/\/www.youtube.com\/embed\/53f9ciNWxFA?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" style=\"border:0;\" width=\"640\"><\/iframe><\/span><\/p>\n<div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Yet another thriller about sexual obsession lands in theaters<\/p>\n","protected":false},"author":1,"featured_media":2505,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2506","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-things-to-do"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What to watch: Young lust, and danger, fuel &#8216;Leviticus&#8217; 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